![]() ![]() You can use image overlays in Premiere Pro to add a watermark to your content or to embed a logo in a corner of your frame to help brand your content. To add an image overlay, first, check the box and then choose your image via the Applied drop-down menu. Be sure to use a PNG or other image file that supports transparency. Use name overlays to properly label and organize your footage. This is helpful when you’re working with dailies, or editing footage from a multicamera shoot, etc. ![]() These overlays allow you to add a prefix and suffix, and select how you want the name to be formatted-Prefix and Suffix Only, Source File Name (with or without extension), or Output File Name (with or without extension).Īnother practical use case: If I am sharing a temporary file with a client that is definitely not the final version (maybe it only has temp music), I will put TEMP FOR REVIEW in the lower-right corner. That way, we can avoid the unfortunate circumstance where a client accidentally publishes the wrong version of the file. In addition to image and name overlays, you can also throw timecode into the mix. That is, if you still have screen real estate. Specify if you want to use timecode from the source file, or if you’d like to generate your own. Offset timecode frame by frame if need be.Įach overlay has position, offset, scale, and opacity properties which allow for complete customization. To oversimplify, the bitrate settings basically tell Premiere Pro how to analyze your video while encoding/compressing it. #ADOBE MEDIA ENCODER CC 2018 IMPORT DVD HOW TO# This analysis will decide how much data to keep and how much to throw out. When it comes to export settings, bitrate is one of the most important options you can understand. Buried down low in the Video tab, this setting gives you control over your image quality and file size. When working with bitrate, you have two different flavors- variable bitrate (VBR) and constant bitrate (CBR). The key to choosing a bitrate encoding method depends on how much movement you have in your video. A lot of movement means a lot of additional pixels to compress/encode. Use slider bars to adjust the data or “bit” rate. The higher the bitrate, the more information you keep, and the larger the file size. While this can seem confusing, it’s actually quite simple. You’re trying to keep the quality of the video image high but with a reasonable and manageable file size. Using a high bitrate will give you a better quality image but with a larger file size. Likewise, lowering the bitrate will bring both the quality and file size down. Should You Use Variable or Constant Bitrate?Īs you might expect and as the name implies, variable bitrate varies the bitrate during export. When there is less motion in the scene, VBR will discard more data (because it can do so without any image quality problems). When more motion takes place, it will raise the bitrate automatically. This helps maximize the file quality/size ratio. You can perform an even more precise encode by using VBR 2 Pass. #ADOBE MEDIA ENCODER CC 2018 IMPORT DVD PRO#Īs this name also implies, 2-pass VBR involves Premiere Pro going through the video twice. The first pass looks at the video to determine the best bitrate to use based on motion, color, etc. Then it’s during the second pass when the compression is applied. VBR 2 Pass will give you a more precise compression, but it will take longer.īoth the 1-Pass and 2-Pass options include a Target and Maximum Bitrate slider bars.ĭuring a 1-pass VBR, Premiere is making the bitrate decisions on the fly. This bitrate setting is best used when there is a lot of movement in your clip.ĬBR uses the same bitrate throughout the export, regardless of what is happening in the frame. It doesn’t matter if there’s a lot of motion, or no motion at all-the bitrate stays the same. Again, a high CBR will preserve data, a lower rate will remove data. #ADOBE MEDIA ENCODER CC 2018 IMPORT DVD PRO#Ĭonstant bitrate is best suited for video with little motion, like interviews.#ADOBE MEDIA ENCODER CC 2018 IMPORT DVD HOW TO#. ![]()
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